‘All my life – all your life – I’ve struggled with this: was what I did “wrong”?’ Germany, 1945. Thomas, one of thousands of children stolen by the Nazis from Eastern Europe during WWII, is under the care of Ruth, a UN relief worker. Should she try to find his parents or leave him with those he’s grown up with? The choice she makes will shape his life. London, 1990. Years later, Thomas visits Ruth. As they untangle the past, the decisions Ruth made as a very young woman are called powerfully into question. Juliet Stevenson is Ruth in this remarkable and timely new play by David Lan, former Artistic Director of the Young Vic. Immersed in the shapeshifting nature of memory and morality, it’s directed by Stephen Daldry (The Jungle, The Inheritance).

Charles de Gaulle, the first president (1958-1969) of the Vth Republic, France’s current system of government, left his mark on the country . He was statesman of action and has been compared to a monarch. This film depicts the general’s personality through the great events of his presidential term, at a time when the world was undergoing considerable changes.

A man's public meltdown reveals how a suburban community truly feels about "outsiders".

A year after his father’s death, Victor returns to Buenos Aires in order to reconquer the life he was forced to abandon. He brings a new project with him for his former theater company: a radio-play of Shakespeare’s “Love’s Labour’s Lost”.

Daffy's reading a scary comic book. The story ends in a cliffhanger, and Daffy rifles his bookcase looking for the next issue. A clock falls, and beans Daffy, making him think he's the featured act in a nightclub. All the customers at the nightclub are classic movie monsters. Fortunately, there was a bottle of "Eau de Tormé" in Daffy's dressing room, which makes him sing like Mel Tormé. He sings "Monsters Lead Such Interesting Lives" to the room, and they love it. Then he goes around the room, greeting the patrons, but his good-natured ribbing of "Smogzilla" doesn't go over well with the giant lizard, who eats Daffy. Daffy wakes up, to find himself stuck in a wastebasket, along with the comic he was looking for, with "Smogzilla" on the cover. Daffy scoffs, and the cover comes to life, saying, "You were expecting maybe Calvin Coolidge?"

"The Cost of Living" was shot on location in Cromer on the Norfolk Coast in England: a typical, old-fashioned and faded seaside resort. The summer season has petered to an end and an air of desertion hangs over the town. Eddie and David are disillusioned street performers. Eddie is tough, confrontational and not afraid to defend his belief in justice and honesty. David is a dancer who has no legs; watching him makes you reconsider accepted notions of perfection. He is quietly determined not to let his disabilities or society's prejudices get in his way. A series of inter-linking scenes shows how Eddie and David negotiate life, fall in and out of relationships and survive day to day.

"The Cost of Living" was shot on location in Cromer on the Norfolk Coast in England: a typical, old-fashioned and faded seaside resort. The summer season has petered to an end and an air of desertion hangs over the town. Eddie and David are disillusioned street performers. Eddie is tough, confrontational and not afraid to defend his belief in justice and honesty. David is a dancer who has no legs; watching him makes you reconsider accepted notions of perfection. He is quietly determined not to let his disabilities or society's prejudices get in his way. A series of inter-linking scenes shows how Eddie and David negotiate life, fall in and out of relationships and survive day to day.

Lily is stuck in a state of ennui, until Death comes along in the form of a beautiful woman and entices her to live.

A young boy watches in helpless horror as his alcoholic father turns into a zombie before his very eyes. Vancouver's Andrew Currie adeptly builds tension as young Zack wrestles with the twin demons of imagination and reality.

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